Categorization of Motifs Used in Traditional Turkish Handicrafts in Terms of Visual Communication Design
Current Debates in Social, Humanities and Administrative Sciences, Sinan Sönmez,Öznur Işık, Editör, Duvar Publishing, İzmir, ss.475-495, 2022
- Yayın Türü: Kitapta Bölüm / Araştırma Kitabı
- Basım Tarihi: 2022
- Yayınevi: Duvar Publishing
- Basıldığı Şehir: İzmir
- Sayfa Sayıları: ss.475-495
- Editörler: Sinan Sönmez,Öznur Işık, Editör
- Açık Arşiv Koleksiyonu: AVESİS Açık Erişim Koleksiyonu
- İstanbul Üniversitesi-Cerrahpaşa Adresli: Evet
Özet
Traditional crafts are cultural treasures made with great labor. Societies have formed motives that have communication value by interpreting life and nature in conveying their traditions, customs and beliefs, personal feelings and messages. The Turks embellished the items they used, coming directly to them as they wanted. They adhered to tradition in their decorations, preserved their national arts and tastes, developed their creativity, reflected their spiritual lives of traditions, customs and family art cultures to their arts (Gönül, 1992: 32). The Ottoman Empire carried the cultural heritage it inherited from the Seljuk period further or to different dimensions. Handicrafts made in the Ottoman period were nourished and influenced by many different sources. Ottoman handicrafts have an important place in the world in terms of diversity. With the prohibition of painting and sculpture with Islam, Turkish craftsmen concentrated on ornamentation. The origin of the art of ornamentation in the Turks goes back to Central Asia. This national art culture, which started in Central Asia, has reached a distinguished level in Anatolia and Thrace, including the Near East, and its effects have survived to the present day. It peaked especially in the Ottoman classical period (Akar, Keskiner, 1978: 21).