Öğr. Gör. BURAK URUCU

Yayın Ağı

Makaleler 4

1. Şirreti Evcilleştirmek by Moda Sahnesi (review)

Urucu B.

SHAKESPEARE BULLETIN : A JOURNAL OF PERFORMANCE, CRITICISM, AND SCHOLARSHIP , cilt.3, sa.43, ss.352-356, 2026 (Scopus)

2. Recanonizing Shakespeare on the Contemporary Turkish Stage – Critical Stages/Scènes critiques

URUCU B.

Critical Stages , cilt.2025-December, sa.32, 2025 (Scopus)

3. Othello dir. by Moda Sahnesi

Urucu B.

SHAKESPEARE BULLETIN : A JOURNAL OF PERFORMANCE, CRITICISM, AND SCHOLARSHIP , cilt.42, sa.4, ss.577-581, 2025 (Scopus)

4. Far Away or Too Close: Reading Caryl Churchill s Far Away and Sarah Kane s Blasted with Agamben s Concept of The Camp

Urucu B.

Istanbul Yeni Yuzyil Journal of Philology , cilt.1, sa.1, ss.26-30, 2022 (Hakemli Dergi)

Hakemli Bilimsel Toplantılarda Yayımlanmış Bildiriler 17

1. RECONTEXTUALIZING RITUAL, PATRIARCHY, AND LIMINALITY: IFIGENYA AS A THEATRICAL RITE OF PASSAGE

Urucu B.

III. INTERNATIONAL ANKARA SCIENTIFIC STUDIES CONGRESS, Ankara, Türkiye, 1 - 02 Mart 2025, ss.74-79, (Tam Metin Bildiri)

2. SPACES OF HABITATION: POWER AND TRANSFORMATION IN THE TURKISH INTERPRETATION OF RICHARD III

Urucu B.

6. INTERNATIONAL LIBERTY INTERDISCIPLINARY STUDIES CONFERENCE, New York, Amerika Birleşik Devletleri, 29 - 30 Kasım 2024, ss.167-172, (Tam Metin Bildiri)

3. From Shakespeare to Fuzuli: Reimagining Gender and Identity through Tiyatro Babutsa’s Revival of Othello

Urucu B.

UTAD 2024, İstanbul, Türkiye, 5 - 07 Eylül 2024, ss.52, (Özet Bildiri)

4. Beyond Shakespeare: Subverting Romeo and Juliet in Verona Çıkmazı

Urucu B.

UTAD 2024, İstanbul, Türkiye, 5 - 07 Eylül 2024, ss.51, (Özet Bildiri)

5. REINTERPRETING EXCLUSION: MARGINALIZATION AND PRECARITY IN ÖTEKİ VENEDİK TACİRİ

Urucu B.

10th International European Conference on Interdisciplinary Scientific Research, Zürich, İsviçre, 27 - 29 Ağustos 2024, ss.375-380, (Tam Metin Bildiri)

6. FROM QUANTUM RELATIONSHIPS TO APOCALYPTIC LAUGHTER: THE REPRESENTATION OF THEATRICAL DYSTOPIA IN SELECTED TURKISH PLAYS

Urucu B.

10th International European Conference on Interdisciplinary Scientific Research, Zürich, İsviçre, 27 - 29 Ağustos 2024, ss.369-374, (Tam Metin Bildiri)

7. SPECTACLES OF SUFFERING: ANALYZING SLOW VIOLENCE IN THE TURKISH REINTERPRETATION OF TITUS ANDRONICUS

Urucu B.

6TH INTERNATIONAL BLACK SEA MODERN SCIENTIFIC RESEARCH CONGRESS, Trabzon, Türkiye, 23 - 25 Ağustos 2024, ss.583-589, (Tam Metin Bildiri)

8. THE CALL FROM THE UNDERGROUND: HABITATION IN ŞATONUN ALTINDA

Urucu B.

6TH INTERNATIONAL BLACK SEA MODERN SCIENTIFIC RESEARCH CONGRESS, Trabzon, Türkiye, 23 - 25 Ağustos 2024, ss.577-582, (Tam Metin Bildiri)

9. A Continuum of Displacement: Tracing Refugee Journeys from The Container to The Jungle

Urucu B.

ESSE 2024, Lausanne, İsviçre, 26 - 30 Ağustos 2024, (Yayınlanmadı)

10. HAMLET OR NOT REALLY? THE ADAPTIVE STRATEGIES IN BİR BABA HAMLET

Urucu B.

6th International Mediterranean Scientific Research Congress, 13 - 15 Ağustos 2024, ss.351-356, (Tam Metin Bildiri)

11. REWRITING STRATEGIES EMPLOYED IN THE TURKISH REINTERPRETATION OF LORCA’S THE HOUSE OF BERNARDA ALBA

Urucu B.

6th International Mediterranean Scientific Research Congress, Rome, İtalya, 13 - 15 Ağustos 2024, ss.346-356, (Tam Metin Bildiri)

12. ALICE IN THE INTERNET AGE: THE AFTERLIFE OF CARROLL’S CLASSIC ON THE TURKISH STAGE

Urucu B.

WORLD CHILDREN CONFERENCE-V, Hakkari, Türkiye, 7 - 09 Haziran 2024, ss.93-94, (Özet Bildiri)

13. Transformative Narratives: Exploring the Journey in Turkish and British Stage Adaptations of Kafka’s The Metamorphosis

Urucu B.

Söylem 3. Uluslararası Filoloji Sempozyumu, 24 - 26 Mayıs 2024, ss.49, (Özet Bildiri)

14. SHAKESPEAREAN MISOGYNY REIMAGINED: A CONTEMPORARY LENS ON TITUS ANDRONICUS

Urucu B.

ASES VIII. INTERNATIONAL SOCIAL SCIENCES CONFERENCE, İzmir, Türkiye, 13 - 14 Nisan 2024, ss.147, (Özet Bildiri)

15. Our Glocal Shakespeare: Intercultural Encounters with The Bard

Urucu B.

Our Glocal Shakespeare: Intercultural Encounters with The Bard, İstanbul, Türkiye, 19 - 20 Nisan 2024, (Yayınlanmadı)

16. DEFYING BINARIES THROUGH STAGE ADAPTATIONS: A RETELLING OF WOOLF’S ORLANDO

Urucu B.

Ases II. International Bandırma Scientific Studies Conference, Balıkesir, Türkiye, 15 - 17 Mart 2024, ss.593, (Özet Bildiri)

17. BETWEEN THE DEVIL AND THE DEEP BLUE SEA: AMBIVALENCE OF THE THIRD SPACE IN HANIF KUREISHI’S THE BLACK ALBUM AND LEILA ABOULELA’S BIRD SUMMONS

Urucu B.

ARCENG INTERNATIONAL SOCIAL SCIENCES CONGRESS, Ankara, Türkiye, 3 - 04 Şubat 2024, ss.137-1377, (Özet Bildiri)

Kitaplar 4

Metrikler

Öğr. Gör. BURAK URUCU

Yayınlar & Eserler

1. Şirreti Evcilleştirmek by Moda Sahnesi (review)

2. Recanonizing Shakespeare on the Contemporary Turkish Stage – Critical Stages/Scènes critiques

3. Othello dir. by Moda Sahnesi

4. Far Away or Too Close: Reading Caryl Churchill s Far Away and Sarah Kane s Blasted with Agamben s Concept of The Camp

1. RECONTEXTUALIZING RITUAL, PATRIARCHY, AND LIMINALITY: IFIGENYA AS A THEATRICAL RITE OF PASSAGE

2. SPACES OF HABITATION: POWER AND TRANSFORMATION IN THE TURKISH INTERPRETATION OF RICHARD III

3. From Shakespeare to Fuzuli: Reimagining Gender and Identity through Tiyatro Babutsa’s Revival of Othello

4. Beyond Shakespeare: Subverting Romeo and Juliet in Verona Çıkmazı

5. REINTERPRETING EXCLUSION: MARGINALIZATION AND PRECARITY IN ÖTEKİ VENEDİK TACİRİ

6. FROM QUANTUM RELATIONSHIPS TO APOCALYPTIC LAUGHTER: THE REPRESENTATION OF THEATRICAL DYSTOPIA IN SELECTED TURKISH PLAYS

7. SPECTACLES OF SUFFERING: ANALYZING SLOW VIOLENCE IN THE TURKISH REINTERPRETATION OF TITUS ANDRONICUS

8. THE CALL FROM THE UNDERGROUND: HABITATION IN ŞATONUN ALTINDA

9. A Continuum of Displacement: Tracing Refugee Journeys from The Container to The Jungle

10. HAMLET OR NOT REALLY? THE ADAPTIVE STRATEGIES IN BİR BABA HAMLET

11. REWRITING STRATEGIES EMPLOYED IN THE TURKISH REINTERPRETATION OF LORCA’S THE HOUSE OF BERNARDA ALBA

12. ALICE IN THE INTERNET AGE: THE AFTERLIFE OF CARROLL’S CLASSIC ON THE TURKISH STAGE

13. Transformative Narratives: Exploring the Journey in Turkish and British Stage Adaptations of Kafka’s The Metamorphosis

14. SHAKESPEAREAN MISOGYNY REIMAGINED: A CONTEMPORARY LENS ON TITUS ANDRONICUS

15. Our Glocal Shakespeare: Intercultural Encounters with The Bard

16. DEFYING BINARIES THROUGH STAGE ADAPTATIONS: A RETELLING OF WOOLF’S ORLANDO

17. BETWEEN THE DEVIL AND THE DEEP BLUE SEA: AMBIVALENCE OF THE THIRD SPACE IN HANIF KUREISHI’S THE BLACK ALBUM AND LEILA ABOULELA’S BIRD SUMMONS

1. STANISLAVSKIAN INCARNATION IN THE TURKISH REINTERPRETATION OF LORCA’S THE HOUSE OF BERNARDA ALBA

2. Navigating Liminalities: Kureishi's The Black Album and Aboulela's Bird Summons via Bhabha's Third Space Theory

3. East-West Dichotomy as an Extension of Slave-Master Dialectic in White Castle

4. The Status Quo Ante is Dead, Long Live the Status Quo

Yayın

Yayın (Scopus)